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Found 61 posts tagged as "Theatre Reviews"
New in theatres this week: Battleship blows things up and disappoints, Richard Linklater's Bernie blows nothing up and fascinates, What to Expect When You're Expecting has babies.
 Rihanna reacts to watching Battleship.
New in theatres this week: Tim Burton returns with an adaptation of a TV cult classic with Burton-esque results, Canadian director Yung Chang returns with the documentary China Heavyweight with decidely un-Burton like results. Edwin Boyd: Citizen Gangster also in theatres.
 Eva Green stars in—and steals—Dark Shadows
New in theatres this week: This years-in-the-making superhero mash-up soars thanks to writer-director Joss Whedon's impressive knack for pairing grand-scale action with an equally jumbo-sized cast
New in theatres this week: After a five-month-long advertising campaign that strenuously emphasized its relationship with Bridesmaids (the two movies share the same producer, it seems), The Five-Year Engagement squares off against a long list of B movies, including The Raven, Safe, and The Pirates! Band of Misfits.
New in theatres this week: An adaptation of a low-brow self-help book squares off against an adaptation of a low-brow romance novel. If you have terrible taste in literature but are too lazy to read, you're in luck.
New in theatres this week: The long-gestating Cabin in the Woods, which sat on the shelf for three years due to MGM's financial difficulties, squares off against the even longer gestating The Three Stooges, which the Farrelly brothers have been attempting to get made for 16 years.
New in theatres this week: A documentary about bullying squares off against a movie directed by a man famous for losing his temper and yelling uncontrollably at subordinates.
New in theatres this week: A re-telling of a classic fairy tale aimed at 6 to 10-year-olds squares off against a re-telling of a classic myth aimed at a slightly older audience.
New in theatres this week: In a weird coincidence, both of this week’s new releases involve people fighting to the death in front of surveillance cameras. In an even weirder coincidence, both of them are pretty great.
New in theatres this week: A reboot of a 1980s TV show squares off against an adaptation of a universally acclaimed literary memoir, and strangely, it's the 1980s reboot that proves to be the more artistically successful of the two.
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